Reviews
Short Film Review: Ifeoma Chukwuogo’s ‘Dear Dija’ Finds Tenderness in The Limits of Young Love
Seeing the world through the eyes of adolescence feels different in a way that’s hard to ignore. It’s a perspective that hasn’t been tainted by the weight of adulthood yet, where things are still a […]
‘99% Virgin’ Stage Review: Bunmi Awolowo’s Pregnancy-Scare Comedy of Faith and Panic That Doesn’t Quite Commit
Onto virgins, babies are delivered. Debby Whyte who plays the lead, Olamide, anchors this straight-forward comedy about a young woman kicking up a storm over a pregnancy scare. Wary of a shameful loss of face […]
‘Aba Blues’ Review: Jack’enneth Opukeme’s Style Meets a New City and Another Interesting Female Lead in a Faltering Story
The women of Jack’enneth Opukeme’s films are attempts at complexities to varying levels of success. In Adire (which he wrote), the titular character is bringing emancipation to the women of the town through the power […]
‘Headless’ Review: A Meta-Thriller About Nollywood’s Inner Workings
Michael Ndiomu alludes to the concept of “cinema faces”—peculiar figures whose presence alone can summon footfall to the cinema—through the character Erastus Okpanachi in his feature directorial debut, Headless. As I sat in my empty […]
‘Love and New Notes’ Review: Kayode Kasum’s Part Horror, Part Romance, Part Drama, Part Heist, Part Comedy Film
Religions and cultures agree: desperation has a way of becoming spiritual. The woman who cannot bear a child, the man whose mind is poisoned by money; these are not just personal tragedies in Nigerian storytelling, […]
Berlinale 2026: Jeremy Comte’s ‘Paradise’ Review
Berlinale: It is in the final moments of Jeremy Comte’s first feature that he renders the moments giving the film its title, in lyrical realism. “…it burns,” our one-hand protagonist — far from his Quebec […]
Berlinale 2026: The Critics’ and Pietra Brettkelly’s ‘Crocodile’ Review (Documentary)
Berlinale: There was a time The Critics, more known as The Critics Company, wanted to make comedy skits but with a twist of VFX. They were hoping to create an alternative to the common slapstick […]
Berlinale 2026: Alain Gomis’ ‘Dao’ Review
Berlinale: Not to get too personal, I have family members across four continents. Over the past five years, we have had at least two weddings and a funeral to attend. Those are the only times […]
News
Nigeria in Tribeca Festival 2026 Lineup with ‘One Woman, One Bra’ and ‘Crocodile’
Nigeria records another modest presence in the 2026 Tribeca Festival lineup, with two projects set to make their North American premiere, One Woman, One Bra and Crocodile, a pan-African collaboration and a Kaduna-set documentary already […]
Esiri Brothers’ ‘Clarissa’ Selected for Directors’ Fortnight at Cannes 2026
Arie and Chuko Esiri’s sophomore, Clarissa, has been selected as one of 19 feature films to screen at the 58th edition of the Cannes’ Directors’ Fortnight, taking place from May 13-23 alongside the main festival, […]
How Two Filmmakers Are Trying to Save Cinema From Lagos
“One thing I appreciate about Nigeria the most now is how backwards it is,” Adebayo Oduwole says with a laugh. On the virtual call in mid March with his collaborative partner Praise Okeoghene Vandeh, the […]
NollywoodWeek 2026 Unveils First Nigerian Titles and Expands Programme with New Industry Partnerships
The NollywoodWeek Film Festival will return to Paris from May 6 to 10, 2026, with Nigerian films forming the core of its programming. Over the years, the festival has grown into a key international stop […]
Nigeria–Kenya Film Collaborations Continue with Cheta Chukwu’s ‘The Child Will Carry You’, Ella Chikezie’s ‘Nwanne’
A growing number of film projects linking Nigeria and Kenya are beginning to hint at a deeper creative exchange between both industries, with Cheta Chukwu’s The Child Will Carry You and Ella Chikezie’s Nwanne emerging […]
Full AMVCA 2026 Nominations List: Theatrically Released Titles Dominate Best Movie Category
The nominations for the 12th edition of the Africa Magic Viewers’ Choice Awards (AMVCA) have now been unveiled, setting the stage for the awards ceremony scheduled for May 9. This year’s list arrives with a […]
Showmax Originals Find a New Home on DStv Stream From April
The countdown to the end of Showmax as a standalone platform is now firmly underway. The bigger question is no longer whether it will shut down, but what becomes of its content. MultiChoice has now […]
FilmOne Teases Some New Filmmaking Voices to Expect in 2026
One of our key observations at the recent FilmOne Showcase is the range of new voices on the slate of films. They include five movies from filmmakers making either their directorial debut or theatrical debut […]
Essays
‘Love in a Pandemic’ Review: Nigerian Stories Make Good Rom-coms and This One Starring Nancy Isime is Just That
The most popular response to the pandemic around the world was lockdowns aimed to curb the spread of the virus. Nigeria was not left out. Immediately after the first few cases were confirmed, a nationwide […]
‘A Sunday Affair’ Review: EbonyLife’s Latest Romantic Drama Suffers From More Than a Lack of Attention to Detail
A Sunday Affair follows two friends as they fall for the same complicated man. This situation tests their loyalty to each other in the face of a heartbreaking revelation.
Moshood Fattah on His ‘Far From Home’ and ‘Battle on Buka Street’ Experience, Stage Acting Background and Directing Aspirations
EXCLUSIVE: Moshood Fattah stole hearts in Netflix’s Far From Home (FFH) series, where he plays Michael, financial and advisory support to our lead Ishaya. A lot of Nigerian viewers have expressed how impressed they were […]
A ‘Dark October’ Essay: Linda Ikeji and the Mob
According to SBM, there have been 391 mob killings in Nigeria since 2019. In May 2022, a young lady, Deborah Yakubu, was stoned to death and then immolated in Northern Nigeria. And as recently as […]
‘Tainted Canvas’ Review: Segilola Ogidan’s Family Drama Has an Important Message But Fumbles In Its Thematic Execution
The day before I saw Tainted Canvas, I settled down to watch Babylon (2022), the latest outing from Damien Chazelle, known for La La Land (2017) and Whiplash (2014). I say ‘settled down’ because at […]
