Reviews
‘Alahun: The Weaver’ Review: Dare Olaitan’s Long-Awaited Epic Adventure Return Takes Too Long to Get Going
Dare Olaitan returns to the director’s chair with Alahun: The Weaver, a Yoruba epic adventure filled with spirits, mythical creatures, and an unlikely hero at its centre. The film asks many questions, such as what the measure of a true hero is, and how love can transcend societal limitations.
Locarno Open Doors 2026 Review: ‘Concrete Moves’, ‘Time to Change’, ‘sKINs’, ‘Submergido’ and ‘Goat’
The following five short films screened as part of the 2026 Locarno Open Doors, taking place from August 5-10, 2026. The five directors were also invited to take part in the Open Doors Directors programme. […]
Short Film Review: Adebayo Oduwole’s ‘When Tari Met Voke’ Makes a Familiar Meet-Cute Feel Alive
Few things are better than a romantic comedy that keeps both of its promises. Very few things. (A plate of smoky party jollof, perhaps.) I suspect this, among other reasons, is behind the runaway success […]
‘Remi and Nneoma’ Review: A Nollywood Biblical Retelling Too Devoted to Become Its Own Story
The Bible, like any other text, exists to be adapted and retold. Its stories are constantly updated for language and context. The King James Version for the purists who want little lost, The New International […]
‘On Different Grounds’ Review: Nollywood Veterans Elevate Mildred Okwo’s Uneven Romantic Comedy
A Nigerian wedding party, as much as it is a celebration, is often a power play. A place where influence is tested, alliances are forged and a pecking order is established. There is a clashing […]
‘Blood Sisters’ Season 2 Review: EbonyLife’s Netflix Thriller Expands Its World of Excess, for Better and Worse
In a rare Nigerian series continuation on Netflix, Blood Sisters returns four years after its first season in 2022, picking up directly from the Ademola family shooting. While Uncle B (Ramsey Nouah) dies from the […]
‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026)
Hope, they say, is a very, very stubborn thing. It survives military coups. It survives broken promises. It survives politicians campaigning the language of change and turning around to enforce the language of power just […]
‘Call Of My Life’ Review: Uzoamaka Power Dials into the Nigerian Romcom Canon with Heart and Familiarity
The definition of a romcom is a well-documented and defined concept, parameters are often rigid and the story must follow a formula: hot boy plus beautiful girl plus almost fantastical meeting equals forever after. Dammy […]
News
Orobosa Ikponmwen’s Young Adult Drama ‘Pushing 30’ Sets October Africa Magic Premiere (Watch Trailer)
A film about a group of young adults is heading to the small screen in Orobosa Ikponmwen’s Pushing 30, premiering on Africa Magic Showcase in October. And we have the first trailer. The film follows […]
Nollywood Distilled: The Stories That Mattered This Week
Nigeria is named Country of Focus at FIC Luanda, Dear Ajayi maps its journey from Venice to Nigerian cinemas, Kava celebrates one year and prepares its first original, FilmJoint opens submissions for 2027, Night of June 7th faces a regulatory delay, and The Headies continues to spotlight music created for film and television.
Korede Azeez, Fulfilment Nwaturuocha and Hajarat Alli Join Africa No Filter Cohort With ‘Daddy Bear’
With Difficulty Comes Ease director Akorede Azeez alongside producer Fulfilment Fuchi Nwaturuocha and screenwriter-director Hajarat Alli have been selected as part of an Africa No Filter cohort of filmmakers from Nigeria and Kenya creating gender-equitable, […]
Nigeria and Ghana Head to TIFF 2026 With Films Across Four Programmes
Nigeria and Ghana will have a notable presence at the 51st Toronto International Film Festival, with four West African films selected across TIFF’s Special Presentations, Centrepiece, Short Cuts and Discovery programmes. Arie and Chuko Esiri’s […]
Nollywood Distilled: The Stories That Mattered This Week
Blue Pictures embraces vertical drama distribution, Film Lab Africa reveals its second-edition creative teams, Tunde Kelani restores Saworoide, Africa No Filter backs a new Korede Azeez project, Iyabo Ojo begins her next theatrical campaign, and The Almajiri finds a new audience through a regional cinema rollout.
Amartei Armar’s Ghanaian ‘Ego Reach We All’, Idrissu Tontie Jr. Win at Locarno 2026
Ghanaian filmmaker Amartei Armar and actor Idrissu Tontie Jr. have won two awards at the 79th Locarno Film Festival for Ego Reach We All (Our Time Will Come). Armar’s debut feature won the Pardo for […]
Tunde Kelani’s ‘Opalaba’ Adds to Nollywood’s Expanding AI Footprint
Veteran filmmaker Tunde Kelani recently unveiled Opalaba, a Yoruba-language satirical micro-web series that uses AI-assisted visualisation, animation and post-production tools. The filmmaker announced that principal production is expected to begin before the end of August […]
Nollywood Distilled: The Stories That Mattered This Week
From international expansion and festival development to streaming releases, theatrical rollouts and the start of another festival submission season, this week’s Nollywood Distilled traces six developments from the previous week that should be on your […]
Essays
Theatre’s Legacy in Nollywood: Exploring The Stage-to-Screen Bridge Through the Eyes of 7 Actors
19th-century playwright Oscar Wilde once said: “I regard the theatre as the greatest of all art forms; the most immediate way in which a human being can share with another the sense of what it […]
“The Origin: Madam Koi-Koi is a Breath of Fresh Air” and 13 Key Takeaways from Nollywood Film Club in November
Nollywood Film Club is a diverse haven for criticism, ideas, and global discourse of Nigerian films. At the heart of the club is a community dedicated to deconstructing the latest high-profile Nigerian streaming releases, sparking […]
‘Bank Alert’ Review: The Entertaining Chaos of the Okey Bakassi-Led Variant on the Newfound Wealth Trope
Bank Alert is a comedy drama with an intriguing storyline. The financially distressed protagonist receives a whopping sum of money in his bank account which leads to trouble when the supposed owner comes for him. […]
‘Egun’ Review: Psychological Thriller About Corporate Greed is One of the Better Projects From This Year
Barely thirty minutes into Ègún, I texted my editor: “I wonder who wrote it.” And I meant that in a good way. I had gone into the film completely blind, without any idea of the […]
‘4:4:44’ Review: Richard Mofe-Damijo and Nse Ikpe-Etim Lead Izu Ojukwu’s Tale of Period Trials
In the heart-wrenching psychodrama 4:4:44, which is inspired by a true event, we witness an extraordinary love story between a couple: a wife grappling with mental illness, and her devoted husband facing public scrutiny for […]
