Reviews
‘Blood Sisters’ Season 2 Review: EbonyLife’s Netflix Thriller Expands Its World of Excess, for Better and Worse
In a rare Nigerian series continuation on Netflix, Blood Sisters returns four years after its first season in 2022, picking up directly from the Ademola family shooting. While Uncle B (Ramsey Nouah) dies from the […]
‘MKO’ Review: Ose Oyamendan Revisits the Wound of June 12 and Nigeria’s Greatest Political What-If (Sheffield DocFest 2026)
Hope, they say, is a very, very stubborn thing. It survives military coups. It survives broken promises. It survives politicians campaigning the language of change and turning around to enforce the language of power just […]
‘Call Of My Life’ Review: Uzoamaka Power Dials into the Nigerian Romcom Canon with Heart and Familiarity
The definition of a romcom is a well-documented and defined concept, parameters are often rigid and the story must follow a formula: hot boy plus beautiful girl plus almost fantastical meeting equals forever after. Dammy […]
Nollywoodweek 2026: Ema Edosio’s ‘When Nigeria Happens’ Review
Nollywoodweek: In the final scene of When Nigeria Happens, we see how submission has been tortured into Fagbo as he mindlessly marches with a group of men, shorn of his former locs and despair sat […]
NollywoodWeek 2026: Laju Iren’s ‘Onobiren’ Review
NollywoodWeek: Nollywood has drawn sustained criticism for its reductive portrayals of women. This tendency emerges from a convergence of socio-cultural frameworks—particularly established patriarchal norms—and external narrative inheritances traceable to Classical Hollywood Cinema, privileging archetypal characterization […]
Nollywoodweek 2026: Thomas Letellier’s ‘Batwing Unmasked’ Review (Documentary)
Nollywoodweek: There is a familiar thrill that runs through Batwing Unmasked. Not the thrill of a recognition of a hero (Africa has had many, and visual and comic artist Loyiso Mkize highlights Ororo as an […]
NollywoodWeek 2026: Orire Nwani’s ‘Hussaini’ Review (Short Film)
Nollywoodweek: There is a very good chance that Hussaini would break your heart. The eighteen-minute-long film opens in a mosque, where Hussaini, among a small congregation of men, bows in prayer. We then follow him […]
NollywoodWeek 2026: Uyoyou Adia’s ‘Evi’ Review
NollywoodWeek: As the internet has grown, we have found some familiarity with the machinations of the entertainment industry; people talk like record label executives, giving armchair expert advice on album rollouts and PR relationships and […]
News
Nigerian Government Launches Free Digital TV, Joining Recent Continental Efforts to Strengthen Creative Industries
The Federal Government of Nigeria has announced plans to launch a nationwide free-to-air digital television platform, offering Nigerians access to more than 100 television channels at no subscription cost. The initiative, part of the country’s […]
Dika Ofoma’s ‘Kachifo’ Lands Norway’s Sørfond Grant, Adds DUOfilm as Co-Producer
Nigerian filmmaker Dika Ofoma’s Kachifo (Till the Morning Comes) has secured NOK 600,000 (approximately USD 64,000) in production support through Norway’s Sørfond 2026 fund, adding a new international partner to the feature project as it […]
Kobby Boateng’s Ghana–Swiss Co-Production ‘The God of Odds’ Enters Post-Production, Reveals New Teaser (Exclusive)
Exclusive: The God of Odds, a new Ghana–Switzerland co-production from ASAP Studio and 9 NIGHTS, has completed principal photography and entered post-production. What Kept Me Up can exclusively unveil the film’s second teaser. Written & […]
What ‘My Father’s Shadow’ Meant to the Anikulapo-Kuti Family at Private Screening
I am plugged in to My Father’s Shadow Soundtrack, 2026 AMVCA Best Score winner, as I scribble down my experience after a private screening of the film with members of the Kuti family ahead of […]
Talents Durban 2026 Announces Nigerian Participants Across Projects and Talent Press
Nigeria will be represented across multiple strands of Talents Durban 2026, with two projects selected for development, a critic participating in the Talent Press programme, and two industry figures returning as part of the initiative’s […]
AFP Critics Prize Heads to Locarno Open Doors 2026
Following its launch at the S16 Film Festival in 2025, the AFP Critics Prize is heading next to the Open Doors Screenings at the Locarno Film Festival as an award partner, where it will be […]
‘Call of My Life’ Debuts at Number Ten on Top Ten Highest Grossing Nollywood Films Of All Time
Dammy Twitch’s feature directorial debut, Call of My Life, has now boldly made its way to the top ten highest-grossing Nollywood films of all time at number ten, as well as becoming the highest-grossing Nollywood […]
Blessing Bulus’ Documentary ‘Mi Tazi’ Selected for Durban International Film Festival 2026
Nigerian documentary Mi Tazi, directed by Blessing Bulus, has been selected for the student competition at the 47th Durban International Film Festival (DIFF), joining 11 other emerging filmmakers from South Africa, South Korea, Morocco, Spain, […]
Essays
Why Are African Films Expected to Be So Heavy at International Festivals?
A girl with a big smile plastered on her face is surrounded by heart-shaped decorations. She is bathed in a warm, saturated red and pink light that evokes a romantic atmosphere. Heart-shaped props are held […]
Jada and Will Smith’s Westbrook Studio Joins Forces with Nigeria’s EbonyLife For TV and Movie Production
The companies will work together to produce at least two series and one film.
Movie Review | ‘Namaste Wahala’: A Romantic Drama that Poses No Real ‘Wahala’ in Paradise
The two fall in love faster than you could finish pronouncing “wahala”.
Movie Review | ‘To All the Boys: Always and Forever’: A Predictable Love Story with Pretty Snapshots and Peachy Soundtrack
The final installment of the highly anticipated teen movie follows Lara Jean (Lana Condor) and Peter (Noah Centineo) facing college choices and how far they are willing to stand by each other.
Ten Movies to Watch this Valentine
All lists of this nature are subjective, but I have curated this one with peculiar attention to all parties; the melancholic, the never-to-be, the fantastical, the sacrificial, and the very much in-love.
Love Letter Series | Issue #1
In this issue, readers write about their love for ended shows, as well as ongoing ones.
